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\u7c73\u862d\u5947\u8e5f Miracle in Milan<\/strong><\/p>\n\n\n\n \u5c0e\u6f14 Director\uff1a Vittorio De Sica 1951\uff5c\u610f\u5927\u5229 Italy\uff5c\u9ed1\u767d B & W \uff5c96min \u500b\u5b50\u77ee\u5c0f\u3001\u6027\u683c\u6a02\u89c0\u7684\u9676\u9676\u96e2\u958b\u5b64\u5152\u9662\u6d41\u843d\u7c73\u862d\uff0c\u8f3e\u8f49\u8d70\u5230\u5ee2\u7a7a\u5730\uff0c\u90a3\u88cf\u7121\u4f9d\u9760\u8005\u958b\u59cb\u7d50\u96c6\u3002\u9676\u9676\u5929\u751f\u662f\u300c\u57ce\u5e02\u898f\u5283\u5bb6\u300d\uff0c\u8857\u9053\u5ee3\u5834\u898f\u6a21\u5f62\u6210\uff0c\u4e00\u6642\u9593\u7e41\u69ae\u8d77\u4f86\uff0c\u4ed6\u7684\u5922\u4e2d\u60c5\u4eba\u827e\u851a\u4e5f\u51fa\u73fe\u3002\u600e\u6599\u5730\u5e95\u5674\u51fa\u77f3\u6cb9\uff0c\u8cc7\u672c\u5bb6\u89ac\u89a6\uff0c\u6d3e\u8b66\u5bdf\u570d\u653b\uff0c\u5df2\u6545\u990a\u6bcd\u9732\u7f85\u4e39\u986f\u9748\u8d08\u4e88\u9748\u9d3f\u8b93\u5922\u60f3\u6210\u771f\u3002\u7b2c\u6614\u52a0\u7684\u7aae\u4eba\u5feb\u6a02\u980c\uff0c\u5411\u514b\u840a\u4e9e\u53ca\u5dee\u5229\u5353\u5225\u9748\u559c\u5287\u98a8\u683c\u81f4\u656c\u3002<\/p>\n\n\n\n \u90a3\u8ac7\u5224\u7684\u7247\u6bb5\u51fa\u73fe\u539a\u7246\u5b8f\u5927\u7684\u6cd5\u897f\u65af\u5efa\u7bc9\uff0c\u7d50\u5c3e\u4e5f\u5728\u7c73\u862d\u4e3b\u6559\u5ea7\u5802\u5ee3\u5834\u5347\u7a7a\uff0c\u7136\u800c\u5efa\u7bc9\u4e3b\u89d2\u9084\u662f\u9435\u76ae\u6728\u677f\u5c4b\uff0c\u7b2c\u6614\u52a0\u4ee5\u5947\u8e5f\u52a0\u6301\u65b0\u5beb\u5be6\u4e3b\u7fa9\u4e4b\u9918\uff0c\u5728\u6292\u767c\u53cd\u5efa\u7bc9\u8a0a\u606f\u55ce\uff1f\u53eb\u89c0\u773e\u52ff\u5fd8\u642d\u4e00\u500b\u5bb6\u7684\u6696\u610f\u521d\u5fc3\u3002<\/p>\n\n\n\n After leaving his orphanage, Tot\u00f2 ends up on a vast, barren field among other homeless people. Tot\u00f2 turns out to be a naturally gifted \u201curban planner\u201d: he transforms the place into a structured and flourishing town with streets, and even encounters his dream woman Edvige. When oil is found in this shantytown, capitalists intend to take over their property and the police forces them to evacuate. Using the wish-granting powers by his stepmother Lolotta who passed away, Tot\u00f2 finally makes his wishes come true. De Sica creates this heartwarming tale for the poor, and pays tribute to the comedic style of Charlie Chaplin.<\/p>\n\n\n\n The scene of negotiation shows thick-walled Fascist buildings and ends with a scene at the Milan Cathedral. In addition to this neo-realist fable, one may wonder if De Sica is spreading an anti-architectural message to remind the audience of what makes a warm home is more than the building. <\/p>\n\n\n\n \u734e\u9805Awards\uff1a 1951Cannes Film FestivalGrand Prize<\/p>\n\n\n\n 1951 National Board of Review AwardTop Foreign Films<\/p>\n\n\n\n \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d<\/p>\n\n\n\n \u5fc3\u9748\u7bc9\u52d5 Columbus <\/strong><\/p>\n\n\n\n \u5c0e\u6f14\uff0f\u7de8\u5287 Director\uff0fScreenplay\uff1aKogonada 2017\uff5c\u7f8e\u570b USA\uff5c\u5f69\u8272 Colour \uff5c104 min \u9032\u8d95\u5f80\u5370\u7b2c\u5b89\u90a3\u5dde\u54e5\u502b\u5e03\u5e02\u7acb\u91ab\u9662\uff0c\u5b88\u5019\u5230\u6b64\u6f14\u8b1b\u537b\u660f\u8ff7\u75c5\u5012\u7684\u7236\u89aa\uff0c\u672c\u5730\u5c11\u5973\u7d00\u601d\u662f\u5efa\u7bc9\u8ff7\uff0c\u77e5\u9053\u4ed6\u662f\u9019\u5efa\u7bc9\u5b78\u8005\u7684\u5152\u5b50\uff0c\u52c7\u6562\u4e0a\u524d\u6500\u8ac7\u3002\u5979\u4ee5\u6709\u300c\u5927\u8349\u539f\u4e0a\u7684\u96c5\u5178\u300d\u7f8e\u8b7d\u7684\u54e5\u502b\u5e03\u5e02\u70ba\u69ae\uff0c\u5145\u7576\u9032\u6eef\u7559\u671f\u9593\u7684\u56ae\u5c0e\uff1b\u5728\u773e\u591a\u51fa\u8272\u73fe\u4ee3\u5efa\u7bc9\u524d\uff0c\u4e8c\u4eba\u4ea4\u6d41\u4eba\u751f\uff1b\u9032\u8ac7\u53ca\u8207\u7236\u89aa\u89aa\u5bc6\u904e\u5f8c\u758f\u96e2\u7684\u95dc\u4fc2\uff0c\u7d00\u601d\u5247\u628a\u7167\u9867\u8eab\u5fc3\u8106\u5f31\u7684\u6bcd\u89aa\u751f\u6d3b\u88f9\u8db3\u4e0d\u524d\uff0c\u5b64\u7368\u3001\u7121\u529b\u611f\u4e00\u4e00\u5206\u4eab\u3002<\/p>\n\n\n\n \u5c0e\u6f14\u662f\u7f8e\u570b\u97d3\u88d4\u4e8c\u4ee3\uff0c\u8207\u59bb\u5b50\u904a\u6b77\u54e5\u502b\u5e03\u5f8c\u5ff5\u5ff5\u4e0d\u5fd8\uff0c\u840c\u751f\u9019\u90e8\u8655\u5973\u4f5c\u7684\u69cb\u601d\u3002\u4ed6\u53c3\u8003\u5b89\u6771\u5c3c\u5967\u5c3c\u53ca\u5c0f\u6d25\u7684\u7a7a\u9593\u624b\u6cd5\uff0c\u6697\u4e2d\u5728\u8868\u9762\u4e0a\u4e0d\u5747\u8861\u7684\u69cb\u5716\uff0c\u653e\u7f6e\u7c21\u6f54\u5e73\u8861\u7dda\u689d\uff0c\u9ed8\u9ed8\u5b89\u64ab\u5169\u500b\u4e3b\u89d2\u7684\u5167\u5fc3\u8e81\u52d5\u3002<\/p>\n\n\n\n Arriving at a hospital in Columbus, Indiana, Jin stays to watch over his father who has fallen into a coma while being in town to deliver a lecture. Casey, who is a fan of architecture, strikes up a conversation with Jin, knowing that he is the son of the renowned architect. Casey is proud of Columbus, which is known as the \u201cAthens of the Prairie\u201d, and acts as Jin\u2019s guide during his stay. Jin and Casey open up about themselves to each other in front of these modern architectural works. Jin reveals his estranged relationship with his father, while Casey confesses that her life restriction as taking care of her mother \u2014 the two share mutual feelings of loneliness and powerlessness.<\/p>\n\n\n\n The director, Kogonada, is a second-generation Korean-American. After traveling in Columbus with his wife, he is mesmerized by the town and is inspired to produce this debut film. With reference to the spatial juxtapositions of Antonioni and Ozu, Kogonada subtly places simple and parallel lines within seemingly asymmetrical compositions, as a way to quietly calm the inner struggles of the two protagonists.<\/p>\n\n\n\n \u734e\u9805Awards\uff1a2018 Chlotrudis Awards \u2013 Best Cinematography<\/p>\n\n\n\n \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d<\/p>\n\n\n\n \u535a\u5854\uff1a\u795e\u904a\u7a7a\u9593 Mario Botta. The Space Beyond<\/strong><\/p>\n\n\n\n \uff0a\u9999\u6e2f\u9996\u6620<\/strong> Hong Kong premiere screening<\/strong>\uff0a<\/strong> <\/strong><\/p>\n\n\n\n \u5c0e\u6f14 Director\uff1aLoretta Dalpozzo, Mich\u00e8le Volont\u00e8 2018\uff5c\u745e\u58eb Switzerland\uff5c\u5f69\u8272 Colour \uff5c78 min \u745e\u58eb\u5efa\u7bc9\u5de8\u5320\u99ac\u5229\u5967\u535a\u5854\u8207\u96d5\u523b\u5bb6\u68b5\u5947\u5408\u4f5c\uff0c\u5728\u97d3\u570b\u5357\u967d\u5efa\u9020\u7684\u8056\u6bcd\u73ab\u7470\u5802\u5df2\u7d93\u52d5\u5de5\uff0c\u671f\u9593\u4ed6\u53c8\u7372\u9080\u8acb\u53bb\u9280\u5ddd\u8996\u5bdf\u5efa\u6e05\u771f\u5bfa\uff0c\u800c\u5728\u7c4c\u5099\u500b\u5c55\u6642\uff0c\u4ed6\u7684\u5bb6\u4eba\u7ffb\u95b1\u820a\u7167\u7247\uff0c\u8ddf\u89c0\u773e\u4e00\u8d77\u56de\u9867\u4ed6\u7684\u300c\u8056\u5802\u4e4b\u8def\u300d\uff0c\u4e00\u5207\u5f9e\u4ed6\u5728\u745e\u58eb\u5bb6\u9109Genestrerio\u5efa\u6559\u5340\u5c0f\u5c4b\u958b\u59cb\u3002\u5c0e\u6f14\u9edb\u666e\u68ad\u548c\u6d3b\u9732\u7df9\u7576\u7136\u6c92\u6709\u907a\u6f0f\u7279\u62c9\u7dad\u592b\u5927\u5b78\u53ca\u83ab\u8afe\u7684\u8056\u65bd\u6d17\u7d04\u7ff0\u6559\u5802\uff0c\u8eab\u8655\u5176\u4e2d\u7686\u53eb\u4eba\u5c4f\u606f\u975c\u6c23\u3002<\/p>\n\n\n\n \u535a\u5854\u5f97\u734e\u7121\u6578\uff0c\u5176\u4f5c\u54c1\u4e0d\u8ffd\u6c42\u8d85\u8d8a\u6027\u7684\u6280\u8853\uff0c\u4e0d\u6c89\u9189\u591a\u529f\u80fd\u6027\uff0c\u5728\u7368\u5bb6\u6a19\u8a18\u7684\u78da\u7246\u5f27\u5f62\u7acb\u9ad4\u4e2d\uff0c\u7e3d\u53bb\u5c0b\u627e\u795e\u8056\u8207\u4e16\u4fd7\u5e73\u8861\uff0c\u6709\u9650\u5f62\u614b\u8207\u5929\u5730\u7121\u6975\u76f8\u63a5\u3002<\/p>\n\n\n\n This architectural documentary follows the life of Swiss architect Mario Botta: his collaborative work with Giuliano Vangi, the Church of Our Lady of the Rosary in Namyang, South Korea, has commenced its construction; he is invited to Yinchuan to inspect and build a mosque; audiences are reviewing Botta\u2019s \u201cjourney to sacred spaces\u201d while looking through old photos with Botta\u2019s family, which all began with his first construction of a Parish house in his hometown Genestrerio. The directors also feature the Cymbalista Synagogue and Jewish Heritage Center of Tel Aviv University as well as Chiesa di San Giovanni Battista in Mogno, all of which have a breathtaking presence.<\/p>\n\n\n\n A recipient of numerous prizes, Botta\u2019s works neither pursue progressive technicality, nor indulge in multifunctionality. Within his signature design of curvilinear brick walls, Botta seeks to find the balance between sacred and secular, and the connecting point between the confinement of shapes and the infinity of heaven and earth.<\/p>\n\n\n\n \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d<\/p>\n\n\n\n \u68ee\u5c71\u541b\u4f4f\u597d\u5572 Moriyama-San <\/strong><\/p>\n\n\n\n \uff0a\u9999\u6e2f\u9996\u6620<\/strong> Hong Kong premiere screening<\/strong>\uff0a<\/strong> <\/strong><\/p>\n\n\n\n \u5c0e\u6f14 Director\uff1aIla B\u00eaka, Louise Lemoine 2017\uff5c\u6cd5\u570b France\uff5c\u5f69\u8272 Colour \uff5c63min \u68ee\u5c71\u541b\u8ddf\u840d\u6c34\u76f8\u9022\u7684\u4f0a\u62c9\u6bd4\u5361\u8ac7\u8d77\u65e5\u672c\u524d\u885b\u97f3\u6a02\uff0c\u5e36\u4ed6\u56de\u300c\u68ee\u5c71\u90b8\u300d\u5c55\u793a\u4ed6\u7684\u5927\u53cb\u826f\u82f1\u5168\u96c6\uff0c\u4f0a\u62c9\u6bd4\u5361\u7acb\u523b\u63d0\u51fa\u62cd\u651d\u8981\u6c42\uff0c\u9017\u7559\u4e00\u5468\uff0c\u62cd\u68ee\u5c71\u541b\u793a\u7bc4\u8868\u6f14\u300c\u4f4f\u300d\u7684\u85dd\u8853\uff0c\u611b\u95b1\u8b80\u7684\u4ed6\u300c\u4e00\u652f\u516c\u300d\u96a8\u8655\u8eba\u3001\u96a8\u8655\u7761\uff0c\u5728\u7a97\u524d\u3001\u5728\u6a39\u4e0b\u3001\u5728\u5929\u53f0\u3001\u5728\u5730\u5eab\uff0c\u5728\u5efa\u7bc9\u7f8e\u610f\u4e0b\u904a\u8d70\u5bb6\u5c45\uff0c\u51fa\u5165\u793e\u5340\u3002\u5c0e\u6f14\u4f0a\u62c9\u6bd4\u5361\u548c\u9732\u6613\u7d72\u8389\u6155\u59ae\uff08\u300a\u7bc9\u8d77\u7121\u9650\u5feb\u6a02\u300b\uff082015\uff09\u3001\u300a\u5eab\u54c8\u65af\u4f4f\u5b85\u751f\u6d3b\u300b\uff082008\uff09\uff09\u88ab\u7d10\u7d04\u6642\u5831\u7a31\u70ba\u300c\u6b50\u6d32\u5efa\u7bc9\u754c\u7684\u524d\u885b\u8c61\u5fb5\u4eba\u7269\u300d\uff0c\u4ed6\u5011\u6c92\u6709\u300c\u8ff7\u5931\u5728\u7ffb\u8b6f\u300d\u4e2d\uff0c\u62cd\u4e0b\u8ffd\u6c42\u81ea\u7136\u81ea\u7531\u7684\u57ce\u5e02\u8774\u8776\u60f3\u50cf\u3002<\/p>\n\n\n\n \u300c\u68ee\u5c71\u90b8\u300d\u662f\u65e5\u672c\u4e2d\u751f\u4ee3\u5efa\u7bc9\u5e2b\u897f\u6fa4\u7acb\u885b2002\u81f32005\u5e74\u5b8c\u6210\u7684\u4f5c\u54c1\uff0c\u5728\u6771\u4eac\u5927\u7530\u5340\u4e00\u584a\u9577\u65b9\u5f62\u4f4f\u5b85\u5730\u4e0a\u5efa\u9020\u5341\u68df\u76f8\u4f3c\u53c8\u6027\u683c\u7368\u7acb\u7684\u767d\u8272\u76d2\u5f62\u6a13\u623f\uff0c\u9752\u8349\u5730\u5f7c\u6b64\u9130\u8fd1\uff0c\u6c92\u6709\u570d\u7246\u534a\u958b\u653e\uff0c\u68ee\u6797\u5c0f\u65cf\u7fa4\u805a\u5c45\u6982\u5ff5\u5728\u5927\u90fd\u6703\u5be6\u8e10\u3002<\/p>\n\n\n\n Moriyama San and Ila B\u00eaka, who met by chance, were discussing Japanese avant-garde music when Moriyama decided to bring B\u00eaka back to the \u201cMoriyama House\u201d and show him his collection of Otomo Yoshi albums. Seeing this extraordinary architecture, B\u00eaka immediately requested a filming and stayed at the house to document one week in the life of its owner, who perfectly demonstrated the art of \u201cliving\u201d. Living by himself, the film depicts the book-loving Moriyama lying and sleeping wherever he wants\u2014 wandering between his domestic space and the communal space. B\u00eaka and Lemoine (The Infinite Happiness<\/em> (2015), Koolhaas Houselif <\/em>(2008) were described by the New York Times as the “cult figures in the European architecture world”. They did not get \u201clost in translation\u201d, and managed to capture the free spirit of the city dweller.<\/p>\n\n\n\n Moriyama House is the work of Japanese architect Ryue Nishizawa, constructed between 2002 and 2005. Built on a rectangular residential site in \u014cta, Tokyo, the house consists of ten similar yet separate box-shaped volumes in white, with grass covering the connected land and has no walls in between. Moriyama House showcases a metropolitan version of living within small communities in rural areas.<\/p>\n\n\n\n \u734e\u9805Awards\uff1a2019 London Architecture Film Festival \u2013 Best Documentary \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d \uff0a\u9999\u6e2f\u9996\u6620 Hong Kong premiere screening\uff0a <\/strong><\/p>\n\n\n\n \u5c0e\u6f14 Director\uff1aIla B\u00eaka, Louise Lemoine 2020\uff5c\u6cd5\u570b France\uff5c\u5f69\u8272 Colour \uff5c34min \u4f0a\u62c9\u6bd4\u5361\u6a5f\u4e0d\u96e2\u624b\u671d\u8056\u4e39\u4e0b\u5065\u4e09\u7684\u79d1\u5a01\u7279\u9818\u4e8b\u9928\uff0c\u5728\u540c\u4e00\u689d\u8857\u4e0a\u88ab\u4e00\u68df\u672a\u5b8c\u6210\u3001\u7c97\u7377\u98a8\u5473\uff0c\u537b\u5e36\u7ae5\u8da3\u7dda\u689d\uff08\u4ee4\u4eba\u60f3\u8d77\u9ad8\u7b2c\uff09\u7684\u7368\u7acb\u5c4b\u5438\u775b\u8457\uff0c\u4ed6\u8d70\u9032\u53bb\u898b\u5230\u5ca1\u555f\u8f14\u4e00\u500b\u4eba\u5728\u88fd\u6c34\u6ce5\uff0c\u554f\u6e96\u5f8c\u975c\u975c\u65c1\u62cd\uff0c\u53ca\u6642\u8a18\u9304\u4ed6\u5728\u88ab\u903c\u505c\u5de5\u524d\u5b8c\u6210\u7684\u300c\u5e0c\u671b\u77f3\u968e\u300d\u3002\u5ca1\u555f\u8f14\u5538\u5efa\u7bc9\u537b\u662f\u500b\u821e\u8e0f\u8868\u6f14\u5bb6\uff0c\u5bd3\u80a2\u9ad4\u904b\u52d5\u65bc\u5efa\u7bc9\u4e2d\uff0c\u4ee4\u4ed6\u5341\u4e03\u5e74\u4f86\u4ee5\u7aa9\u725b\u6162\u884c\u901f\u5ea6\uff0c\u878d\u5165\u5373\u8208\u6027\u53bb\u5efa\u5c4b\uff0c\u5982\u4eca\u5c4b\u5b50\u5916\u578b\u5df2\u6709\u821e\u8005\u626d\u52d5\u7684\u60f3\u50cf\uff0c\u4f0a\u62c9\u7c21\u55ae\u53eb\u5b83\u505a\u300c\u821e\u8e0f\u5c4b\u300d\uff0c\u5ca1\u555f\u8f14\u65e9\u70ba\u672a\u4f86\u7684\u77f3\u5b85\u8d77\u540d\u300c\u87fb\u9c52\u9cf6\u30eb\u300d\uff0c\u87fb\u6f2b\u884c\u9c52\u9b5a\u81ea\u6e38\u9cf6\u4e58\u7a7a\u7ff1\u7fd4\uff0c\u9019\u4e00\u65e9\u662f\u500b\u64c1\u6709\u9ad8\u5ea6\u7cbe\u795e\u6027\u7684\u5efa\u7bc9\u54f2\u5b78\u4f01\u5283\u3002<\/p>\n\n\n\n \u6240\u8b02\u300c\u81ea\u529b\u9020\u5c4b\u300d\u53ef\u4ee5\u9060\u8ffd\u81f3\u6c5f\u6236\u6642\u4ee3\uff0c\u6c92\u6709\u5efa\u7bc9\u7d93\u9a57\u53ca\u7d93\u8cbb\uff0c\u6514\u4e0d\u5230\u8fb2\u6c11\u80f8\u895f\u6253\u9020\u81ea\u5bb6\u6728\u5b85\u3002\u8fd1\u4ee3\u65e5\u672c\u5efa\u7bc9\u754c\u5728\u85e4\u68ee\u7167\u4fe1\u7b49\u4eba\u9f13\u52f5\u4e0b\u81ea\u529b\u5efa\u5b85\u4e4b\u98a8\u53c8\u5439\u8d77\uff0c\u5ca1\u555f\u8f14\u5728\u9ad8\u5c71\u5efa\u7bc9\u5b78\u6821\u7372\u5f97\u555f\u8499\uff0c2003\u5e74\u53c3\u52a0\u5efa\u7bc9\u96dc\u8a8c\u4e3b\u8fa6\u7684\u63d0\u6848\u6bd4\u8cfd\u597d\u8a55\u5165\u9078\uff0c\u9042\u958b\u5c55\u56f0\u96e3\u91cd\u91cd\uff0c\u537b\u6a02\u5728\u5176\u4e2d\uff0c\u9577\u9054\u4e8c\u5341\u5e74\uff08\u4e5f\u672a\u5b8c\u6210\uff09\u7684\u5efa\u7bc9\u7406\u60f3\u3002<\/p>\n\n\n\n While visiting the Kuwait Embassy designed Kenzo Tange and taking pictures for that building he admired greatly, Ila B\u00eaka’s eyes were suddenly drawn to an unfinished, rugged house on the same street. It was a house featuring childlike line design similar to the style of Antoni Gaudi. Ila B\u00eaka went into the house and met Keisuke Oka, who was at the time making cement by himself in that house he built. After receiving permission from Keisuke Oka, Ila B\u00eaka quietly recorded him and the house, including the ‘Stone Steps of Hope’ that Keisuke Oka completed before the construction was forced to stop, on camera. Keisuke Oka used to study architecture but later became a butoh dance performer. He took the last seventeen years to build his house at a snail’s pace, incorporating improvisely the idea of physical movement into construction. The silhouette of the house imitates dancers\u2018 moving bodies as imagined by Keisuke Oka. The stone house is named ‘Ari-masu-tonbi-ru’ (\u87fb\u9c52\u9cf6\u30eb), as it symbolizes spirits of roaming ants, swimming trouts and eagles flying in the sky. This is a highly spiritual architectural project with philosophical significance.<\/p>\n\n\n\n This house can be categorized as “self-made dwelling”, which can be traced back to the Edo period. Such buildings were made by farmers who had an unstoppable determination to build their own houses despite their lack of construction experience or money. In modern times, “self-made dwelling” regained popularity in the Japanese architectural community due to promotion by architects including Tenrunobu Fujimori. Keisuke Oka studied architecture at Takayama Architecture Seminar School. After his proposal was selected in a competition organised by an architecturethe magazine in 2003, Keisuke Oka embarked on the arduous yet enjoyable journey to realize his architectural ideal, which is still incomplete after twenty years of work.<\/p>\n\n\n\n \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d<\/p>\n\n\n\n \u6d85\u96f2\u5974 Nirvenue<\/strong><\/p>\n\n\n\n \u5c0e\u6f14 Director\uff1a\u5433\u5bb6\u9f8d Kal Ng 2018\uff5c\u9999\u6e2f Hong Kong\uff5c\u5f69\u8272 Colour \uff5c75min \u5e74\u8f15\u5efa\u7bc9\u5e2b\u674e\u5b8f\u5beb\u4fe1\u7d66\u5206\u624b\u5973\u53cb\u674e\u51b0\uff0c\u593e\u5728\u52d2\u67ef\u6bd4\u610f\u7684\u300a\u897f\u884c\u8a18\u300b\u4e2d\uff0c\u6982\u6b4e\u8d70\u4e0d\u51fa\u76f8\u8b58\u66d6\u6627\u7737\u6200\u51b7\u6de1\u7684\u5169\u6027\u56f0\u904b\u3002\u5c0d\u96fb\u8166\u8aaa\u51fa\u5931\u6557\u8a71\u6642\uff0c\u5c4f\u5e55\u51fa\u73fe\u96c6\u9ad4\u667a\u80fd\u7248\u300c\u674e\u5b8f\u300d\uff0c\u540c\u4e00\u6a21\u6a23\u4e0d\u540c\u8655\u4e16\u614b\u5ea6\uff0c\u300c\u4ed6\u300d\u9080\u8acb\u4ed6\u9032\u5165\u865b\u64ec\u4e16\u754c\uff0c\u8ddf\u591a\u500b\u7248\u672c\u300c\u674e\u51b0\u7469\u300d\u767c\u5c55\u611f\u60c5\u95dc\u4fc2\uff0c\u4e00\u5230\u6a3d\u9838\u53ef\u91cd\u8a2d\u518d\u4f86\u3002\u300c\u674e\u5b8f\u300d\u53c8\u6559\u674e\u5b8f\u767c\u660e\u300c\u865b\u64ec\u65c5\u9928\u300d\u8edf\u4ef6\uff0c\u73fe\u5be6\u88cf\u5165\u4f4f70 \u5e73\u65b9\u544e\u7684\u5c0f\u5ba4\u50cf\u8239\u9ad4\uff0c\u5f9e\u56de\u61b6\u5eab\u88cf\u63d0\u53d6\u7f8e\u6eff\u65c5\u7a0b\u3002\u5433\u5bb6\u9f8d\u5ef6\u7e8c\u300a\u5922\u4e4b\u65c5\u300b\uff081999\uff09\u7684\u6d41\u5f99\u8207\u5728\u5c0b\u8993\u4e3b\u984c\u3002\u96d9\u57ce\u8996\u89ba\u518d\u8d70\u4e00\u6b65\uff0c\u7121\u4eba\u7684\u591a\u502b\u591a\u8207\u6de8\u5316\u7684\u9999\u6e2f\u5728\u51fa\u5e2d\u8207\u7f3a\u5e2d\u4e4b\u9593\u5f15\u52d5\u6d41\u8f49\u548c\u60f3\u50cf\u3002<\/p>\n\n\n\n \u5433\u5bb6\u9f8d\u6df1\u53d7\u5df4\u8d0a\u7684\u300c\u5168\u96fb\u5f71\u795e\u8a71\u300d\u8aaa\u6cd5\u5f71\u97ff\uff0c\u89ba\u5f97\u96fb\u5f71\u7684\u51fa\u73fe\u662f\u70ba\u4e86\u53bb\u5c07\u4eba\u985e\u65e9\u5df2\u5b58\u5728\u6df1\u5c64\u7684\u9ad4\u9a57\u8868\u73fe\u51fa\u4f86\uff0c\u63db\u500b\u89d2\u5ea6\u53ef\u4ee5\u770b\u6210\u96fb\u5f71\u672a\u767c\u660e\uff0c\u6709\u5f85\u6211\u5011\u5148\u53bb\u5c07\u76ee\u524d\u7684\u5f71\u50cf\u9ad4\u7cfb\u5b8c\u5168\u63a2\u7d22\u76e1\u81f4\u3002\u4ed6\u7684\u63a2\u7d22\u65b9\u5411\u662f\u7a7a\u9593\u7684\u627f\u8f09\u5ea6\uff0c\u4eba\u5728\u98a8\u666f\u666f\u7269\u4e2d\u6bcf\u6bcf\u6709\u6558\u4e8b\u4e8b\u614b\u4ee5\u5916\u66f4\u591a\u7684\u60c5\u611f\u8a0a\u606f\u3002<\/p>\n\n\n\n A young architect, Li Wan, wrote a letter to his recently broken-up girlfriend, Li Bing. In this letter, which was tucked between the pages of Le Voyage d’Orient by Le Corbusier, Li Wan lamented that the two of them cannot escape the destined cycle of love, which starts with encounter, flirtation and passion, but always ends in estrangement between lovers. While Li Wan was typing on his computer, a virtual version of himself (created by collective intelligence) appeared on the screen, who looked exactly like the real Li Wan but had an opposite attitude towards the world. This virtual version of Li Wan invited him to enter the virtual world, where he could develop relationships with multiple versions of \u201cLi Bing Ying\u201d and start all over each time these virtual relationships hit a snag. Moreover, this virtual version also taught Li Wan to invent a software called “virtual hotel”, which transformed the 70-square-foot room that Li Wan lived in into a boat that could take him through all the good memories stored in the database. This film shares the common theme of migration and search with Kal Ng\u2019s 1999 film Dreamtrips, while further visualizing the two cities of Toronto and Hong Kong. We can see in this film an empty version of Toronto and a purified version of Hong Kong, which appear and disappear on the screen alternately and create a world of constant flux and imagination.<\/p>\n\n\n\n Influenced by Andr\u00e9 Bazin’s ‘myth of total cinema’, Kal Ng feels that the ultimate purpose of cinema is to re-present a priori experience of human existence deep down inside. In other words, cinema is never a fully developed invention, but a progressive movement that continuously explores the imagery system. Through his films, Kal Ng focuses on exploring the spatial dimension of how emotional messages are conveyed beyond the narrative through the interaction between human beings and landscape.<\/p>\n\n\n\n \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d<\/p>\n\n\n\n \u3010\u7cbe\u9078\u77ed\u7247 Short Videos\u3011<\/p>\n\n\n\n \u5357\u89d2 The Southern End<\/strong><\/p>\n\n\n\n \u5bb6\u9109\u5728\u9060\u65b9\uff0c\u5a77\u4f4f\u5230\u4e5d\u9f8d\u57ce\u5357\u89d2\u9053\uff0c\u60f3\u8a8d\u8b58\u9019\u5340\u9019\u8857\uff0c\u8857\u982d\u5076\u9047\u7684\u7d30\u788e\u4e8b\u7269\uff0c\u6709\u5f88\u591a\u5224\u5225\u8207\u5167\u5fc3\u7368\u767d\uff0c\u5728\u665a\u4e0a\u5beb\u51fa\u300c\u505c\u7559\u7684\u8a9e\u53e5\u300d\uff1b\u5979\u901b\u8457\u901b\u8457\uff0c\u9047\u4e0a\u6642\u5149\u7559\u4e0b\u5370\u8a18\uff0c\u7121\u6578\u8085\u975c\u7684\u7246\u9ad4\u3002<\/p>\n\n\n\n Ting’s hometown was far away, but now she had made her home on Nam Kok Road (meaning “The Southern End”) in Kowloon City. Ting wanted to go around and know the area. The various trivial things she saw on the streets invoked many inner thoughts and monologues in her. When the night came, she wrote down \u201cwords about staying\u201d. While she was wandering on the street, she walked past countless walls of silence where time had left marks on.<\/p>\n\n\n\n Entangled <\/strong><\/p>\n\n\n\n Keith\u8207Mara\u5c0d\u8a71\uff0cMara\u61b6\u8d77\u7236\u89aa\u610f\u5916\u5730\u5c07\u71b1\u8336\u6f51\u5230\u5979\u624b\u81c2\uff0cKeith\u8cea\u7591\u662f\u5426\u771f\u5be6\u767c\u751f\u904e\uff0c\u800c\u4ed6\u63d0\u8d77\u4e00\u6bb5\u68ee\u6797\u71c3\u71d2\u623f\u5b50\u7684\u4f3c\u5922\u8a18\u61b6\uff0c\u610f\u8b58\u5230\u7576\u4e2d\u96b1\u85cf\u8457\u4e00\u6bb5\u7ae5\u5e74\u907a\u61be\u3002\u672c\u7247\u5927\u90e8\u4efd\u5f71\u50cf\u53d6\u6a23\u81ea\u4eba\u5de5\u667a\u80fd\u5c0d\u8a71\u5ba4\uff0c\u4ee5\u5f62\u614b\u9078\u64c7\u53bb\u5efa\u7bc9\u8996\u89ba\u7684\u65b0\u5617\u8a66\u3002<\/p>\n\n\n\n Keith and Mara were having a chat while Mara recalled the time her father accidentally splashed hot tea on her arm. Keith questioned whether the incident actually happened and went on to talk about a dreamlike memory of a burning house in the woods, before he realized the childhood regret hidden in this memory. This film, with most of its images extracted from an artificially intelligent chatroom, is a new attempt of architectural visualization based on morphological choices.<\/p>\n\n\n\n Cavity<\/strong><\/p>\n\n\n\n \u66fe\u7d93\u88ab\u8aaa\u6210\u662f\u4e16\u4e0a\u5c45\u4f4f\u5bc6\u5ea6\u6700\u9ad8\u7684\u4e5d\u9f8d\u57ce\u5be8\uff0c\u6a13\u5b87\u7dca\u5bc6\u5efa\u5728\u4e00\u8d77\u5f62\u6210\u8ff7\u5bae\uff0c\u65bc\u4e0a\u4e16\u7d00\u4e5d\u5341\u5e74\u4ee3\u6e05\u62c6\u5f8c\u6210\u70ba\u4e00\u500b\u516c\u5712\u3002\u4e00\u500b\u65b9\u683c \u3001\u4e00\u526f\u5047\u7259\u3001\u4e00\u5f35\u8a18\u61b6\u5730\u5716\u2026.\uff1b\u743a\u746f\u8cea\u50cf\u6d41\u5931\u7684\u6642\u7a7a\uff0c\u96b1\u96b1\u9583\u896f\u51fa\u5df2\u6d88\u78e8\u7684\u57ce\u7246\u3002<\/p>\n\n\n\n Cavity collects traces of a lost city. Once known as one of the most densely populated places on Earth, the Kowloon Walled City was a labyrinth of tightly packed buildings. Demolished in the early 1990s, a park now fills its space. In an attempt to uncover signs of what remains;<\/p>\n\n\n\n a square,<\/p>\n\n\n\n a set of dentures,\u2028a map drawn from memory,\u2028<\/p>\n\n\n\n Cavity reveals material objects of lost time, lining the walls of absence.<\/p>\n\n\n\n \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d <\/p>\n\n\n\n \u5ea7\u8ac7 Seminar<\/strong><\/p>\n\n\n\n \u300c\u77f3\u5c4e\u4e4b\u8a69\uff1a\u8a8d\u8b58\u7c97\u7926\u4e3b\u7fa9\u300dPoetry of Concrete: Brutalist Architecture and Cinema<\/strong><\/p>\n\n\n\n 6\/5 (\u516d Sat) \uff5c4:30 pm \uff5c \u9999\u6e2f\u85dd\u8853\u4e2d\u5fc3 \u53e4\u5929\u6a02\u96fb\u5f71\u9662 Hong Kong Arts Centre, Louis Koo Cinema <\/p>\n\n\n\n \u95dc\u65bc\u7c97\u7926\u4e3b\u7fa9\u7684\u8996\u89ba\u898f\u5247\u3001\u4f86\u9f8d\u53bb\u8108\u3001\u8208\u76db\u8207\u8f49\u8b8a\uff0c\u5169\u540d\u9999\u6e2f\u5e74\u8f15\u5efa\u7bc9\u5e2b\u8a71\u4f60\u77e5\uff0c\u5f9e\u800c\uff0c\u4f60\u53ef\u4ee5\u53bb\u6aa2\u8996\u4f60\u4e0a\u8ab2\u7684\u6821\u820d\u3001\u4f60\u4f4f\u7684\u5c4b\u90a8\u5920\u4e0d\u5920\u7c97\u7926\u3002\u4f60\u4ea6\u53ef\u4ee5\u5728\u4f60\u770b\u904e\u7684\u96fb\u5f71\u88cf\u6aa2\u8996\uff0c\u54ea\u4e00\u90e8\u5fc3\u611b\u8457\u7c97\u7926\u4e3b\u7fa9\u5efa\u7bc9\uff0c\u4f60\u8d6b\u7136\u660e\u767d\uff0c\u90a3\u4e5f\u539f\u4f86\u662f\u4f60\u937e\u60c5\u300a___\u300b\uff08\u8acb\u81ea\u884c\u586b\u5145\uff09\u7684\u7406\u7531\u3002<\/p>\n\n\n\n In this seminar, two young architects from Hong Kong will tell you about the visual rules of an architectural concept called Brutalism, as well as its origin and the history of its rise and transformation. After knowing what is Brutalism, you may look at the buildings of your school and the housing estate you are living in, and think to yourself whether these buildings are “brutalist” enough. Also, you can take an examination of the films you’ve watched to see if brutalist architecture is featured in any of them. Perhaps, through this examination, you’ll understand the reason you fall in love with ___ (fill in the blank).<\/p>\n\n\n\n \u8b1b\u8005\uff1a\u6f58\u6d69\u502b\u3001Bob Pang Speaker: Allen Poon, Bob Pang \u6f58\u6d69\u502b\uff0c\u9999\u6e2f\u8a3b\u518a\u5efa\u7bc9\u5e2b\uff0cTETRA Architects \u5275\u8fa6\u4eba\u3002\u73fe\u4efb\u9999\u6e2f\u5efa\u7bc9\u5e2b\u5b78\u6703\u7406\u4e8b\u6703\u57f7\u4e8b\u53ca\u7fa9\u52d9\u8ca1\u52d9\u9577\uff0cHKIA\u96d9\u5e74\u5c55\u57fa\u91d1\u6703\u806f\u5e2d\u4e3b\u5e2d\u3002\u5a01\u5c3c\u65af\u5efa\u7bc9\u96d9\u5e74\u5c55\u9999\u6e2f\u5c55 2006\u7b56\u5c55\u5718\u968a\u6210\u54e1\uff0c\u53ca2013\u9999\u6e2f\u6df1\u5733\u57ce\u5e02\u5efa\u7bc9\u96d9\u57ce\u96d9\u5e74\u5c55\u7684\u57f7\u884c\u7b56\u5c55\u4eba\u3002Allen \u4e00\u76f4\u81f4\u529b\u65bc\u5728\u793e\u5340\u63a8\u52d5\u5efa\u7bc9\u6587\u5316\u30022022\u5e74\uff0c\u4ed6\u70ba MOViE MOViE \u7b56\u5283\u4e86\u300a\u7bc9\u52d5\u6211\u57ce Build Our Dreams\u300bLife Is Art \u5149\u5f71\u85dd\u8853\u796d\uff1b\u904e\u53bb\u5341\u5e74\uff0c\u4ed6\u4ea6\u6301\u7e8c\u5354\u52a9\u8584\u6276\u6797\u6751\u793e\u5340\u63a8\u884c\u4fdd\u80b2\u904b\u52d5\u3002<\/p>\n\n\n\n Allen Poon, a Registered Architect in Hong Kong and founder of TETRA Architects, currently serves as an Office Bearer and Honorary Treasurer of the Hong Kong Institute of Architects (HKIA), as well as the co-chair of the HKIA Biennale Foundation. Allen was part of the Curatorial Team for the 2006 Venice Architecture Biennale Hong Kong Exhibition and served as the Executive Curator for the 2013 Hong Kong-Shenzhen Bi-City Biennale of Urbanism\\Architecture. He is also dedicated to promoting architectural culture within the community. In 2022, he co-curated the “Build Our Dreams” Life Is Art Festival for MOViE MOViE. Over the past decade, he has been actively involved in conservation efforts for the Pok Fu Lam Village community.<\/p>\n\n\n\n Bob Pang\u70ba\u672c\u5730\u99d0\u518a\u5efa\u7bc9\u5e2b\uff0c\u66fe\u65bc\u502b\u6566\u3001\u7dad\u4e5f\u7d0d\u53ca\u4e0a\u6d77\u751f\u6d3b\u30022011-2012\u671f\u9593\u65bc\u65e5\u672c\u5efa\u7bc9\u5927\u5e2b\u78ef\u5d0e\u65b0\u5de5\u4f5c\u5ba4\u4efb\u9805\u76ee\u5efa\u7bc9\u5e2b\u30022017\u5e74 \u201c40 under 40\u201d \u512a\u79c0\u8a2d\u8a08\u5e2b\u5f97\u734e\u8005\u300215\u5e74\u7684\u5efa\u7bc9\u8207\u8a2d\u8a08\u5be6\u8e10\u66fe\u8d0f\u5f97\u591a\u500b\u6b8a\u69ae\uff0c\u5982\u4e9e\u6d32MIPIM\u6700\u4f73\u4f4f\u5b85\u8a2d\u8a08\u91d1\u734e\u3001\u65e5\u672cGood Design Award Best 100\u734e\u7b49\u3002\u8fd1\u5e74\u7372Design Trust\u8207 Leigh and Orange\u8cc7\u52a9\uff0c\u6301\u7e8c\u7814\u7a76\u672c\u5730\u7c97\u7377\u5efa\u7bc9\u6b77\u53f2\u9054\u4e09\u5e74\u4e4b\u4e45\u30022021\u5e74\u7684\u5c55\u89bd\u300a\u7c97! \uff0d\u672a\u77e5\u7684\u9999\u6e2f\u7c97\u7377\u5efa\u7bc9\u300b\u6210\u529f\u5f15\u8d77\u516c\u773e\u6ce8\u610f\uff0c\u5438\u5f15\u903e\u4e8c\u5341\u5bb6\u5a92\u9ad4\u5831\u5c0e\u3002\u8a72\u5c55\u89bd\u66fe\u7372\u9999\u6e2f\u5efa\u7bc9\u5e2b\u5b78\u6703\u5e74\u734e\u3001\u53f0\u7063\u91d1\u9ede\u734e\u6a19\u7ae0\u53ca\u82f1\u570bDezeen Awards \u8a55\u5be9\u734e\u3002Bob Pang\u66fe\u53d7\u9080\u5728\u9999\u6e2fM+\u3001\u5927\u9928\u53ca\u502b\u6566C20 Society\u5206\u4eab\u7c97\u7377\u5efa\u7bc9\u6b77\u53f2\u7814\u7a76\u3002<\/p>\n\n\n\n Bob Pang is a registered architect in Hong Kong and has lived in London, Vienna and Shanghai. From 2011 to 2012, he worked as a project architect at the studio of Japanese architect Arata Isozaki. In 2017, he is being awarded as “40 under 40” Outstanding Designer Award. With 15 years of architectural and design practice, he won notable awards, including the MIPIM ASIA Best Residential Design Gold Award, and Good Design Award \u201cBEST 100\u201d in Japan. In recent years, he initiated and advocated a research about local Brutalist architectural history for three years, funded by Design Trust and Leigh and Orange. The 2021 exhibition “BRUTAL! – Unknown Brutalism Architecture in Hong Kong” successfully attracted public attention and more than 20 media reports. The exhibition won the Annual Award of the Hong Kong Institute of Architects, the Golden Pin Award in Taiwan, and the Judging Award of the Dezeen Awards in the United Kingdom. Bob Pang has been invited to share his research at M+, Tai Kwun in Hong Kong and C20 Society in London. \u653e\u6620\u53ca\u5ea7\u8ac7 Screening & Sharing<\/strong><\/p>\n\n\n\n \u300c\u7a7a\u9593\u96fb\u5f71\u5ba3\u8a00\u300d A Spatial Cinema Manifesto<\/strong> 2023\uff5c\u9999\u6e2f Hong Kong\uff5c\u5f69\u8272 Colour \uff5c30min \u5433\u5bb6\u9f8d\u70ba\u300c\u5efa\u7bc9\u5728\u52d5\u300d\u62cd\u9019\u90e8\u7b46\u8a18\u77ed\u7247\u3002\u4ed6\u56de\u61c9\u5df4\u8d0a\u63d0\u51fa\u7684\u300c\u5168\u96fb\u5f71\u795e\u8a71\u300d\uff0c\u64bf\u8996\u4ed6\u500b\u4eba\u767c\u6398\u5230\u7684\u4e00\u6bb5\u96fb\u5f71\u5c0f\u53f2\uff0c\u5e36\u6211\u5011\u6f2b\u6b65\u4e00\u4e0b\u7a7a\u9593\u96fb\u5f71\u53cd\u6620\u73fe\u72c0\u7684\u8ecc\u8de1\uff0c\u865b\u64ec\u73fe\u5be6\u4e00\u800c\u518d\u4e4b\u5728\u767c\u751f\uff0c\u91cd\u65b0\u5b9a\u7fa9\u96fb\u5f71\u7d93\u9a57\u53ca\u9a5a\u8277\u3002<\/p>\n\n\n\n It is a review of spatial films through the period of film history since Andre Bazin proposed ‘A Myth of Total Cinema’, a reflection of the present state of such a trajectory when virtual reality is happening and may redefine the experience of cinema once again.<\/p>\n\n\n\n 7\/5 (\u65e5 Sun) \uff5c7:30 pm \uff5c \u9999\u6e2f\u85dd\u8853\u4e2d\u5fc3 \u53e4\u5929\u6a02\u96fb\u5f71\u9662 Hong Kong Arts Centre, Louis Koo Cinema<\/p>\n\n\n\n \u8b1b\u8005\uff1a\u5433\u5bb6\u9f8d (\u7368\u7acb\u96fb\u5f71\u4eba\uff0c\u9999\u6e2f\u5927\u5b78\u5efa\u7bc9\u5b78\u535a\u58eb\uff09<\/p>\n\n\n\n Speaker: Kal Ng\uff08Independent Filmmaker\uff09<\/p>\n\n\n\n <\/p>","protected":false},"excerpt":{"rendered":" Ticketing information: https:\/\/www.popticket.hk\/architekture-in-motion Presenter Film Culture Centre (Hong Kong) Supported by Hong Kong Arts Development Council \uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d\uff1d \u7c73\u862d\u5947\u8e5f Miracle in Milan \u5c0e\u6f14 Director\uff1a Vittorio De Sica\u7de8\u5287 Screenplay\uff1aCesare Zavattini, Vittorio De Sica, Suso […]<\/p>","protected":false},"author":1,"featured_media":1995,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[70],"tags":[],"jetpack_featured_media_url":"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/AIM-2023_Popticket_1400x1050-1-e1680600646887.jpg","_links":{"self":[{"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/posts\/1993"}],"collection":[{"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/comments?post=1993"}],"version-history":[{"count":10,"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/posts\/1993\/revisions"}],"predecessor-version":[{"id":2053,"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/posts\/1993\/revisions\/2053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/media\/1995"}],"wp:attachment":[{"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/media?parent=1993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/categories?post=1993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hkfcc.org\/zh_hk\/wp-json\/wp\/v2\/tags?post=1993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/MIRACOLO-A-MILANO-1-1024x754.jpg\")
<\/figure>\n\n\n\n
\u7de8\u5287 Screenplay\uff1aCesare Zavattini, Vittorio De Sica, Suso Cecchi D\u2019Amico, Mario Chiari, Adolfo Franci
\u651d\u5f71 Cinematographer\uff1aG.R. Aldo
\u6f14\u54e1 Cast\uff1aFrancesco Golisano, Emma Gramatica, Brunella Bovo<\/p>\n\n\n\n
\u82f1\u8a9e\u3001\u610f\u5927\u5229\u8a9e\u5c0d\u767d\uff0c\u4e2d\u82f1\u6587\u5b57\u5e55 In English and Italian with Chinese and English subtitles <\/p>\n\n\n\n![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/\u87a2\u5e55\u622a\u5716-2023-04-06-\u4e0b\u53486.31.18-1024x574.png\")
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\u651d\u5f71 Cinematographer\uff1aElisha Christian
\u6f14\u54e1 Cast\uff1a John Cho, Haley Lu Richardson, Parker Posey<\/p>\n\n\n\n
\u82f1\u8a9e\u3001\u97d3\u8a9e\u5c0d\u767d\uff0c\u4e2d\u82f1\u6587\u5b57\u5e55 In English and Korean with Chinese and English subtitles <\/p>\n\n\n\n![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/mariobotta_still_0900964\u526f\u672c-1024x554.jpg\")
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\u651d\u5f71 Cinematographer\uff1aMauro Boscarato, Ariel Salati, Chris McMillon<\/p>\n\n\n\n
\u610f\u5927\u5229\u8a9e\u3001\u6cd5\u8a9e\u3001\u82f1\u8a9e\u3001\u97d3\u8a9e\u3001\u666e\u901a\u8a71\u5c0d\u767d\uff0c\u4e2d\u82f1\u6587\u5b57\u5e55 In Italian, French, English, Korean and Mandarin with Chinese and English subtitles <\/p>\n\n\n\n![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/Moriyama_San_1-1024x576.png\")
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\u651d\u5f71 Cinematographer\uff1aIla B\u00eaka<\/p>\n\n\n\n
\u82f1\u8a9e\u3001\u65e5\u8a9e\u5c0d\u767d\uff0c\u4e2d\u82f1\u6587\u5b57\u5e55 In English and Japanese with Chinese and English subtitles <\/p>\n\n\n\n
2018 Perpignan Festival International du Livre d\u2019Art et du Film \u2013 Golden Award<\/p>\n\n\n\n
\u821e\u8e0f\u5c4b Butohouse <\/strong><\/p>\n\n\n\n![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/Butohouse_1-1024x578.jpg\")
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\u651d\u5f71 Cinematographer\uff1aIla B\u00eaka<\/p>\n\n\n\n
\u82f1\u8a9e\u3001\u65e5\u8a9e\u5c0d\u767d\uff0c\u4e2d\u82f1\u6587\u5b57\u5e55 In English and Japanese with Chinese and English subtitles <\/p>\n\n\n\n
\u651d\u5f71 Cinematographer\uff1a\u5433\u5bb6\u9f8d Kal Ng<\/p>\n\n\n\n
\u7cb5\u8a9e\u5c0d\u767d\uff0c\u82f1\u6587\u5b57\u5e55 In Cantonese with Chinese and English subtitles <\/p>\n\n\n\n![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/WhatsApp-Image-2023-03-24-at-7.18.07-PM-1-1024x768.jpeg\")
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\u5c0e\u6f14 Director\uff1a\u5f35\u5049\u96c4 Bryan Chang
2023\uff5c\u9ed1\u767d Black and White\uff5c18min
\u7cb5\u8a9e\u5c0d\u767d\uff0c\u4e2d\u82f1\u6587\u5b57\u5e55 In Cantonese with Chinese and English subtitles <\/p>\n\n\n\n![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/IMG_4037-1024x505.jpg\")
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\u5c0e\u6f14 Director\uff1a\u5e03\u6fa4\u9298 Anthony CM Po\u3001Adisak Yavilas
2023\uff5c\u5f69\u8272 Colour \uff5c8min
\u82f1\u8a9e\u5c0d\u767d\uff0c\u4e2d\u82f1\u6587\u5b57\u5e55 In English and with Chinese and English subtitles <\/p>\n\n\n\n![\"\"](\"https:\/\/hkfcc.org\/wp-content\/uploads\/2023\/04\/WhatsApp-Image-2023-03-23-at-1.31.58-PM-1024x576.jpeg\")
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\u5c0e\u6f14 Director\uff1a\u6f58\u5b50\u61f7 Tsz Wai Pun
2023\uff5c\u5f69\u8272 Colour \uff5c13min
\u7cb5\u8a9e\u5c0d\u767d\uff0c\u7121\u5b57\u5e55 Cantonese without subtitles <\/p>\n\n\n\n
\u4e3b\u6301\uff1a \u5f35\u5049\u96c4<\/p>\n\n\n\n
Moderator: Bryan Chang <\/p>\n\n\n\n
<\/p>\n\n\n\n
\u5c0e\u6f14 Director\uff1a\u5433\u5bb6\u9f8d Kal Ng
\u526a\u63a5 Editor\uff1a\u5433\u5bb6\u9f8d Kal Ng<\/p>\n\n\n\n
\u7cb5\u8a9e\u5c0d\u767d\uff0c\u82f1\u6587\u5b57\u5e55 Cantonese with English subtitle<\/p>\n\n\n\n